Tenet sees Christopher Nolan push plot centre-stage in a spy-thriller that raises the age-old question of whether you have to understand something to enjoy it.
It is always nice to see an actor who is mostly known for their comedic performances want to venture out and try their hand at something different. Should Kevin James stick to his usual comedy routine or does he have the chops to play more nasty villain roles?
The Invisible Man processes its difficult subject matter through an alternative context. During times like these, that's a power of cinema that we could all surely use.
Bong Joon-Ho's Oscars surprise Parasite turns up the dials on a realistic construct to make for an exciting, engaging, and highly organic exploration of class.
The history of cinema is chequered with technical advancements, but is Sam Mendes' miraculous single-take achievement in WW1-epic 1917 a gimmick or a triumph?