
THE INVISIBLE MAN Review
The Invisible Man processes its difficult subject matter through an alternative context. During times like these, that's a power of cinema that we could all surely use.
The Invisible Man processes its difficult subject matter through an alternative context. During times like these, that's a power of cinema that we could all surely use.
Bong Joon-Ho's Oscars surprise Parasite turns up the dials on a realistic construct to make for an exciting, engaging, and highly organic exploration of class.
The history of cinema is chequered with technical advancements, but is Sam Mendes' miraculous single-take achievement in WW1-epic 1917 a gimmick or a triumph?
Greta Gerwig finds her way into a well-worn story with the most universal theme of all.
The Rise of Skywalker thankfully doesn't go back on everything set-up by its predecessor, but its complicated story often makes for rather exhausting viewing.
Rian Johnson loves nothing more than subverting expectations, and his latest offering Knives Out is just as unexpected as you'd expected.
There's something strangely primal about the act of driving a car, and this is emphasised brilliantly by James Mangold’s Ford v Ferrari. Even the most cynical of audience members may be converted by the end.