WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people and becomes the first Conscientious Objector in American history to win the Congressional M...
Hacksaw Ridge marks a triumphant return for Mel Gibson. Ten years since his last directorial effort 'Apocalypto' and many were wondering if he could match the excellence of his previous work, especially since this hiatus consisted of many controversies for the actor/director. Well, I'm pleased to say that Hacksaw Ridge is most definitely one of the best war films of this century. A bold claim such as this needs proof, and I always say "proof is in the pudding". Detailing the efforts of Desmond Doss, a conscientious objector who refused to carry a weapon, during the battle for Hacksaw Ridge against the Japanese. Illustrating the heroism, valour and bravery of one man who, through inner strength and conviction, saved the lives of many wounded soldiers. I am a sucker for good old fashioned Hollywood stories about a hero who defied all the odds. Everyone and everything was against Doss, including the rest of his unit at first, which automatically creates emotional investment towards our protagonist. You want him to succeed in his endeavours, you want him to prove all the naysayers wrong. He does...and then some. Through visceral direction from Gibson, who honestly directed the heck out of this, Doss was portrayed enigmatically by Garfield. Balancing both innocence and conviction in equal measures to produce a character that breaks your heart. Every facial expression and action Garfield makes feels natural and racks up to be one of his best performances. Supported by an excellent cast, particularly Vaughn, Weaving and Worthington, who provide backstory and development to what could've been expendable assets. The battle scenes were breathtakingly claustrophobic, the usage of blood and violence contradicts the religious subtext in the narrative which further enhances the ideologies of pacifism. Countless bodies on fire and limbs gliding through the explosions, just relentless filmmaking. The overuse of melodrama during the first half did provide an unusual tonal shift for the second half, took me a while to adjust. But, in the end, all I have to say is "Mel, welcome back!".
