After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an...
I feel like “Abigail” is going to be one of those horror movies that audiences and genre fans really like. This latest project from Matt Bettinelli-Olpin and Tyler Gillett has everything you’d want in a film, and it delivers on them all. From its wicked sense of humor and slightly taunting tone to its fully committed, talented cast and plenty of bloody gore, this is one entertaining ride from start to finish.
A menagerie of would-be criminals (Melissa Barrera, Dan Stevens, Kathryn Newton, Kevin Durand, Angus Cloud and William Catlett) have taken a mysterious job at the behest of a man named Lambert (Giancarlo Esposito) to kidnap Abigail (Alisha Weir), the preteen ballerina daughter of a very powerful figure in the underworld. It’s a $50 million ransom and payday, and the gang holes up in a creepy old mansion overnight until her daddy makes with the cash. Nothing goes according to plan, and they’re especially thrown for a loop when they eventually discover that they’re trapped inside not only with no way out, but with a 12-year-old girl who is definitely not normal.
It’s a very simple premise and story, but everyone involved makes the most of it. The film exceeds expectations, and it’s so much better and more satisfying than you’d expect. A lot of that is due to the terrific cast and performances, stylish directing, and a series of genuine surprises and twists that are both shocking and sometimes even silly. (In fact, the story’s surprises are one of the biggest strengths, so avoid all spoilers if you want to have the most fun watching this one).
Another thing that sets the film apart is its unexpectedly well-developed characters. In a genre often filled with simple throwaways, screenwriters Stephen Shields and Guy Busick take the time to flesh out each character, making their backgrounds, struggles, and terror feel real. While the adults are understated for the most part, Weir tends to overdo it a bit in some of the later scenes. Her dramatic (and a little goofy) performance, especially when ballerina dancing is combined with throat-ripping, just screams out “corny horror movie.” But that’s also what makes it all so entertaining.
Bettinelli-Olpin and Gillett include a handful of lazy jump scares but never rely on them, which is refreshing. There are plenty of bloody and gross moments that’ll appease fans looking for grisly effects, and even those are played with a lightly farcical touch. I wouldn’t call this film scary, but it’s definitely amusing.
There are some glaring plot holes, so your willingness to look the other way will probably be a major deciding factor if you’ll enjoy or hate this one. It’s a straightforward story, but it’s also clear a lot of effort has been put into every aspect of the movie. “Abigail” knows exactly what it wants to be and delivers on that promise.
