Interview with the Vampire (1994)

Interview with the Vampire (1994)

1994 R 123 Minutes

Horror | Romance

A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.

Overall Rating

8 / 10
Verdict: Good

User Review

  • Interview With The Vampire lusciously sinks its broody fangs into your mind. Having not read Rice's novel (and never will), I was expecting a straightforward vampire flick involving teeth biting, vaporisation by sunlight and plentiful scenes of smouldering. Whilst these are all included, the luxurious gothic horror period aesthetic appeal elevated the atmospheric narrative substantially, setting a rather high bar. Chronicling the immortal life of Louis who was turned into a vampire by the devilishly suave Lestat, where his new abilities are slowly viewed as a curse. The unconventional narrative structure is what truly differentiates this film, as the story is told through an interview-like narration. This naturally enables foreshadowing and finer details to be illustrated in a more contemporary method, and it works beautifully. Vampirism is positively viewed by Lestat who relishes in immortality and has come to terms with his curse. Conversely, Louis clings onto his humanity and despises the process of human feeding. The opposition and differing personalities allows drama, humour and tension to arise throughout the story, creating a well-rounded film. However underneath the regal costumes and grandiose musical score, are thematically powered elements that give life to this undead story. From an ambiguous relationship between Lestat and Louis to questioning existentialism and mortality. These strands thicken the blood-soaked narrative adequately. Casting was a surprise. Pitt carried the film with his broodiness and a young Dunst was exceptional. Yet it was Cruise that astonished me. I just didn't expect him in this role, and whilst it did take me a while to warm to him, I thought he was excellent. Arguably the first half is greater than the second half, with Rea and Banderas' characters feeling underdeveloped, and the concluding three minutes were far too convenient. But director Jordan has crafted a bloody divine adaptation filled with luscious authenticity and superb performances that I just want to sink my teeth into. Turn me now, Lestat!