While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.
Color me thoroughly surprised at how much I was delighted by “Alien: Romulus,” a highly creative, beautifully executed, pulse-pounding science fiction film from director Fede Alvarez. This sequel is a rare gem in the world of big budget franchise flicks because it not only respects its predecessors with thoughtfully well done homages, but also pushes the boundaries of the universe it inhabits with inventive set pieces and a plausible story. Fans of the series and the genre are in for a real treat.
Going back to the roots of the “Alien” franchise, the film tells the story of a group of young space colonizers (Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Aileen Wu, and Spike Fearn)who are looking for a way out of their current situation as hard laborers on a sunless planet. While searching the universe, they encounter a decommissioned ship that has enough supplies to take them far, far away. Intent on scavenging, the group makes a risky voyage into space where they get far more than they bargained for: a face-to-face encounter with a terrifying life form from which they may have no hope of escape.
The strength of the story is also in its simplicity, and Alvarez uses swift pacing and straightforward character development to create an irresistible hook for audiences. He creates a crackerjack blend of suspense, horror, and science fiction that not only hearkens back to the original films, but also offers up something fresh and modernized for a new generation. Even better, the film is very dark and isn’t dumbed down for casual viewers, which shows a great deal of respect to long-time sci-fi fans. This isn’t just another sequel that is exploiting a franchise’s good will, it actually has some substance.
There’s an atmosphere of dread that commands most of the movie, and the action scenes are imaginative and inspired. I was on the edge of my seat multiple times, and several of the set pieces are visually fun, too. The special effects are not flashy or over-polished like the ones that tend to dominate modern blockbusters (even the alien creature itself remains largely unchanged from its original, iconic 1979 design), which turns out to be the perfect complement to the film’s strong narrative foundation. Heightened tension and fear is created through well-crafted suspense rather than constant visual bombardment. There’s a level of sophistication here that elevates it beyond a mere retread of past “Alien” films.
I was especially surprised about how quickly I started to care about the characters, who don’t exactly give off the best first impression (they seem like they will be stereotypical and highly annoying, but that’s not the case). As the story unfolds, so do the layers of depth and complexity, both which make the fate of these friends matter. The film is well cast, and Spaeny’s versatility shines through in a role that requires both emotional range and physical intensity.
The film is willing to take risks, especially when it comes to killing off characters. The unpredictability of who will survive and who has the wits to escape from harrowing situations adds another layer of tension and sense of danger. Nothing here feels preordained, and that in itself is exciting.
“Alien: Romulus” is a wildly satisfying addition to the franchise because it’s a film that understands what made the original great and uses those elements to create something new and exciting. It succeeds in paying homage to its predecessors while also forging its own identity, honoring its legacy in a way that will have sci-fi nerds salivating for future installments.
