As a longtime Disney enthusiast, I was highly skeptical (and very wary) about director Justin Simien‘s “Haunted Mansion,” the second film inspired by the classic and beloved theme park attraction. Everything about this project screamed “pointless” and “dreadful,” but I was pleasantly surprised at the inventive and fun finished product.
When a woman (Rosario Dawson) and her bullied son (Chase Dillon) move to a haunted manor in New Orleans, they seek the help of supposed spiritual experts to help rid their historic home of supernatural inhabitants. They collect a motley crew of misfits, including a fake exorcist (Owen Wilson), a man with a penchant for photographing specters (LaKeith Stanfield), a history professor (Danny DeVito), and a medium (Tiffany Haddish). After it’s learned that once you enter the home you must always return (or a ghost will follow you home), everyone is trapped and cannot leave. After a walk on the other side during a séance, an evil spirit called the Hatbox Ghost (Jared Leto) is encountered, and he’s collecting souls. If the new friends want to live, they must work together before time runs out.
The mythology created fits in with the theme park ride, is done in a way that feels natural, and is sure to please Disney fans. Think of almost any element from the attraction and the film gives a satisfactory back story (Madame Leota’s is my favorite, not to mention the casting of Jamie Lee Curtis in the role). I can’t wait to go back to Disneyland after seeing this movie, because it will be so much fun to experience the Haunted Mansion through fresh eyes that have this new background narrative.
Easter eggs are around every corner, and they’re a fun treat for eagle-eyed viewers. Most elements from the attraction are incorporated organically (like the exterior and location-specific bits from both the Florida and California versions of the ride), and the most iconic scenes are fun to see on a grand scale (the stretching room, the dining room party, Constance in the attic). As a fan, I was absolutely delighted by all of this.
The film is elevated by a talented cast (including a strong lead performance from Stanfield and a charming one from Dillon) and kooky characters that lighten the mood when it gets too dark. There’s a lot of talk about grief, and plenty of borderline scares that may teeter on the terrifying side for little kids. This is not a traditional scary movie, and the balance of light humor and emotional drama works really well.
Since this is a big studio film, the overt product placement becomes distracting and laughable, and the denouement is bloated, excessive, and drawn out. The film could use a bit of editing, but I didn’t find it too long.
I quite enjoyed “Haunted Mansion,” flaws and all. If you’re a fan of the Disney parks and share a passion for the ride, I’m sure you will, too. It isn’t an instant classic by any means, but it’s far better than it has any right to be and is a fun way to spend a couple of hours this summer.
