Solaris (1972)

Solaris (1972)

1972 PG 167 Minutes

Drama | Science Fiction | Adventure | Mystery

Ground control has been receiving strange transmissions from the three remaining residents of the Solaris space station. When cosmonaut and psychologist Kris Kelvin is sent to investigate, he exper...

Overall Rating

7 / 10
Verdict: Good

User Review

  • Solaris...well, it's something. Apparently it's about a cosmonaut visiting the Solaris Space Station where the remaining crew are psychologically disturbed by "visitors". An alien presence that materialise from illusory dreams, the cosmonaut dreams of his late wife. He must then decide to submit to Solaris' hallucinogenic gift or stay in reality. Now, before I anger you film elitists and enthusiasts, I understood the film. I acknowledged what it set out to do. Questioning humanity and its existence, throwing in the concept of clinging onto love. I accept that Solaris paved the way for future science fiction cinematic pieces, much like 2001 did. There's no doubt in my mind that Tarkovsky's artistic sensitivity aids in the haunting visceral tone beneath the narrative. Jarring scene transitions of wild foliage, extensive long takes and the dream inspired visuals of Solaris. Natalia Bondarchuk is a revelation and is easily the best performer against a tediously monotonous cast. Artemiev's score was beautifully resonating and suited the atmosphere (or lack of...). With all that said, I struggled. My mind consistently kept switching off as I tried my absolute hardest to stay focussed. It's just too slow for its own good. Possibly one of the slowest films I've ever seen. I'm all for a slow pace in order to evoke a meditative aura within the narrative. But when the script is far too meticulous and constantly preaches about love, 166 minutes feels like an eternity. Needless to say Part Two was slightly more involving that Part One, but I still felt distant from the story. It's far too cold. Ironic considering Tarkovsky claimed Kubrick's '2001' was too sterile. Perhaps I need to adapt to Tarkovsky's signature storytelling methods, I felt the exact same with 'Stalker' being too slow. Critically this film is near faultless with what it sets out to do, but I have to consider my own personal enjoyment which is why I must substantially mark this down. Perhaps on a future viewing I'll become more invested now that I know what I'm getting myself into.