I, Tonya (2017)

I, Tonya (2017)

2017 R 121 Minutes

Drama

Competitive ice skater Tonya Harding rises amongst the ranks at the U.S. Figure Skating Championships, but her future in the activity is thrown into doubt when her ex-husband intervenes.

Overall Rating

8 / 10
Verdict: Good

User Review

  • I, Tonya flows as swift as an Olympic figure skater. Have been anticipating this release for quite some time. Why? Well I love a good biopic, the cast immediately attracted my attention and it's figure skating. Not often you see an ice skating film. Thankfully, this was bonkers and I loved the fact it was crazily stupid. Tonya Harding was famous for being a bad tempered figure skater in the 90's. This biopic triple axels (oh God I'm too good...) into her family and marital relationships, as well as exploring "the incident". A timely release considering the Winter Olympics, showcasing the grace and endurance required for figure skating. Pushing the sport aside, the focus is primarily on Tonya and her marriage to Jeff whilst intertwining her tough upbringing by her mother. Seemingly Tonya is portrayed to be spoilt and a fame seeker, but I consistently sympathised with her. Her pure skating talent being diminished by judges due to her presentation skills and media attention to the sport. It's a harsh reality, and the film made me feel for her. Played eloquently by Margot Robbie who was able to capture both her solid exterior and emotional vulnerability. Allison Janney was outstanding as the straight talking mother from hell who just loves to throw kitchen utensils at her own daughter (seriously...what the hell). I wished the story delved into their relationship further, just so she could have more screen time. Sebastian Stan also deserves recognition as he conveys both anger and love perfectly. Gillespie's directing style was interesting. Some nice one take edits and the figure skating segments were electrifying, albeit with a noticeable green screen. They tried too hard changing the traditional biopic formula by making it quirky. Consistently breaking the fourth wall, mixing narratives, embedding an interview with a linear plot. It works, however the constant use of these grew tiresome especially for a two hour runtime. Having said that, the plot never skates on thin ice and glides along swiftly. This is Robbie's baby, she and the film deserve recognition.