After reuniting with Gwen Stacy, Brooklyn’s full-time, friendly neighborhood Spider-Man is catapulted across the Multiverse, where he encounters the Spider Society, a team of Spider-People charge...
I don’t have that much to say about “Spider-Man: Across the Spider-Verse”, the sequel to the equally terrific 2018 Oscar winning film “Spider-Man: Into the Spider-Verse,” except that it’s easily one of the best films of the year. It’s the type of achievement in animation that’s not only artistically skilled but also wildly entertaining. This is one of the most perfect pieces of animated cinema in years and even better, it’s aimed squarely at more sophisticated audiences of older kids, teens, and adults.
Miles Morales (voice of Shameik Moore) is back for part two, and he’s happily fulfilling his duties as Brooklyn’s friendly neighborhood superhero. Miles finds himself joining forces with Gwen Stacy (voice of Hailee Steinfeld) and a new team of elite Spider heroes (featuring the voices of Jake Johnson, Karan Soni, Issa Rae, and others) from across the multiverse as they work together to fight off a powerful villain.
The plot is complex, but the story is terrific. The parallel universes at play don’t feel like a gimmick, and there are real stakes for every character. There are strong messages about teamwork, friendship, power, and responsibility, and it’s nice to see more female representation in a film that prides itself on diversity and inclusion. The story is a little slow at the start, but things pick up ones Miles enters the picture. His relationship with Gwen is developed extensively here, and they’re a great onscreen duo.
The film is computer-animated, and the visuals are nothing short of masterful. The animation is vibrant, skillfully executed, and absolutely stunning. This is the type of visual art that leaves your eyes begging for more. From the attention to detail to the choice of hues, there isn’t one misstep to be found.
The story, however, has a few stumbles, and most of that stems from the overly long run time (2 hours, 20 minutes), the too-insider Easter egg references for diehard comic fans, and the irritating cliffhanger ending that is so obnoxious that it almost ruins everything that came before. Thank goodness the rest of the movie is so much fun.
“Spider-Man: Across the Spider-Verse” is the type of film that proves animation isn’t just for kids, and it’s certainly not a throwaway medium that deserves to be dismissed. It’s an action-packed, visually dazzling, frentic, and outrageously fun piece of cinema. Go see it.
