Carnage Park (2016)

Carnage Park (2016)

2016 NR 81 Minutes

Action | Crime | Horror | Thriller

Part crime caper gone awry, part survival horror film, this 1970s set thriller depicts a harrowing fight for survival after a pair of wannabe crooks botch a bank heist and flee into the desert, whe...

Overall Rating

8 / 10
Verdict: Good

User Review

  • ScreenZealots

    ScreenZealots

    8 / 10
    This badass genre film is one part crime caper plus one part survivalist horror with a big helping of bloody goodness mixed in for good measure. This is one damn intense thriller of a movie from young filmmaker Mickey Keating, obviously a huge film fan himself (we all know movie fans often make the best movies). I have no problem proclaiming Keating as one of the most skilled indie filmmakers working today: I can only imagine what he could do with a big budget.

    An obvious homage to low budget grindhouse flicks from the 1970s, this movie is undeniably cool. At first I was concerned it was going to be another Tarantino ripoff but it’s not. It’s filled with spectacular visual tributes to splatter cinema of the past but manages to feel fresh and vibrant and new.

    Before you dismiss “Carnage Park” as all style over substance, I can assure you it’s not. The meticulous period detail really works with the story of innocents let loose in the remote desert to be hunted by a maniacal psychopath. The actors are thoughtfully cast and all of them, down to the minor supporting players (which includes James Landry Hebert, Michael Villar, and Alan Ruck), give fresh, raw performances. Ashley Bell and the always fantastic Pat Healy are standouts as the predator and prey. The storyline may be a basic one, but they manage to make and keep it exciting.

    While Keating certainly has a knack for splashy visuals, there’s no denying he also has an insane eye for detail — matched only by his skill at building seat-squirming, armrest-gripping tension for his audience. I think he will only improve as he continues to work and grow as a filmmaker (his direction isn’t completely perfect: the experimental-style black and white inverted shots in this film may look cool but serve no real purpose).

    Despite the minor faults, this is what indie film is all about. And Keating is one of the most exciting voices I’ve seen in recent cinema.

    A Screen Zealots Review